By Kevin Duggan
And those in the mood for a lighthearted laugh should check out “Catches No Flies,” a comedic dance performance by Lisa Fagan, featuring bad ventriloquism, a dolphin trainer living her dream, inclement weather, and a sardine escaped from the can.
Read the full article at brooklynpaper.com
By Oriana Leckert
See the bleeding edge of theater at the Exponential Festival, a month-long extravaganza focused on emerging artists and experimental performance. Some highlights: Good and Noble Beings, an adaptation of Deleuze and Guattari’s poststructuralist text A Thousand Plateaus mashed up with memoir and radical reimaginings;
Read the full article at gothamist.com
With Helen Shaw
Helen Shaw, theater critic at New York Magazine, joins for our ongoing “Review/Preview” series with a rundown of what to check out at the many theater festivals taking place in NYC in January.
Watch the full video on wnyc.org
With Will Gleason
Time Out New York’s Will Gleason highlights the start to a whole new year of NYC happenings, including the annual 50 First Jokes show, Brooklyn’s Exponential Festival and bull riding at Madison Square Garden.
Watch the full video on CBS
By Alexis Soloski
THE EXPONENTIAL FESTIVAL at various locations (performances run through Feb. 2). This monthlong festival lauding local artists returns to Brooklyn. Participating locations this year will include the Brick, JACK, the Doxsee Theater and Vital Joint, as well as a superstore that will play host, wittingly or otherwise, to an immersive, choose-your-own-adventure show.
Read the full article at nytimes.com
By David Cote
As the COVID-19 shutdown grinds on, countless questions about theater loom: When can venues reopen? Without a vaccine, will audiences gather in an enclosed space? Are shows canceled for the rest of 2020? But the most basic, existential query is the hardest to answer: Who will survive?
Read the full article at observer.com
By Helen Shaw
When Governor Cuomo’s office announced that Broadway would shut down on Thursday, March 12, in the face of COVID-19, the emails started to come in. Uptown, the state had made the call. But downtown, that decision had to happen artistic director by artistic director — tiny spaces, seating sometimes as few as 40 people, choosing to close. There are a handful still open, some to finish a run or get in one last show, and at Radio City Music Hall, Riverdance still stomped last night. (So did Stomp, 26 years into its run at the Orpheum.) But the dominoes were falling all over the city yesterday — shows, seasons, festivals, rehearsals, auditions, designer meetings, rental business, the works.
Read the full article on vulture.com
By Billy McEntee
Theresa Buchheister is a successful artist because she is a generous one; through multiple festivals and off-the-beaten-path venues, clandestine locales and dive hives, she has created myriad opportunities for creators of various stripes to express themselves and their craft. How fitting that she should rise to be The Brick’s new Artistic Director.
The Brick (579 Metropolitan Avenue) has long been a haven for comediennes, interpreters of classics, and everything in between. Now, Theresa — founder of the lauded and Brooklyn-based Exponential Festival — takes her vast producorial and artistic know-how to Williamsburg’s vital and ever-evolving destination for cutting-edge theatrical experience. Get to know this indefatigable artist in this week’s Thursday Spotlight!
Read the full article on Greenpointers.Com
By Helen Shaw
A wedding-dress-wearing alien beams onstage. A robot D.J. visits from Planet Nubian. A man tries to sell us a baggie of sour cream. And a pop star strips off his Pierrot outfit — a backward suit jacket and a tulle ruff — and sings “Heeeey” over and over.
Everything is heightened! But also confusing? That’s because you’re at the scrappy Brooklyn venue the Brick, watching the ?! New Works Festival — also known as Interrobang.
Read the full article on NYTimes.com