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X-ORIGINAL-URL:https://www.bricktheater.com
X-WR-CALDESC:Events for The Brick
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DTSTART;TZID=America/New_York:20230505T200000
DTEND;TZID=America/New_York:20230505T220000
DTSTAMP:20260518T140749
CREATED:20230130T230343Z
LAST-MODIFIED:20230412T014310Z
UID:9830-1683316800-1683324000@www.bricktheater.com
SUMMARY:HOUSECONCERT
DESCRIPTION:The Brick and Object Collection present\nHOUSECONCERT\nparanormal-domestic actions in no particular order\nby Object Collection\nMay 5-27\, 2023\n$25-50 sliding scale \n			\n				\n										\n												\n							\n						\n						\n											\n\n					\n	\n					\n								\n					\n						\n															\n													\n					\n											HOUSECONCERT by Object Collection (Trailer)\n																					The Brick and Object Collection present\nHOUSECONCERT\nparanormal-domestic actions in no particular order\nby Object Collection\nMay 5-27\, 2023\n$25-50 sliding scale\n\nA performance at the end of time\, the last house concert of them all. Or the first\, before everything. Casual\, using whatever is at hand. After everything has been done\, we do this anyway\, just because. Because this is what we do in our house\, with our invited guests. Getting amongst it.\n\nObject Collection’s history is intimately connected with house concerts. Several of our first performances were in friends’ living rooms for a small group of attendees. The barest of bare bones\, essential DIY. We summon the ghosts of Jack Smith\, Sam Rivers\, and all those who blended their art with their homes. The most basic form of a community: you there watching me here\, us together.\n\nwritten and directed by Kara Feely\ncomposed by Travis Just\n\nperformed by Catrin Lloyd-Bollard\, Kara Feely\, Travis Just\, Daniel Allen Nelson\, Nicolás Noreña\, James Oldham\, and Timothy Scott\nScenic Design by Peiyi Wong\nLighting by Liz Schweitzer\nProduced by Shannon Sindelar\nProduction Manager Daniel Allen Nelson\nAssistant Director Kate Purdum\nDesign Assistants Celia Krefter and Talia Hankin\n\nHOUSECONCERT also touring to:\nCafe OTO\, London (UK)\nStanford University (USA)\nIndexical\, Santa Cruz (USA)\n\nObject Collection was founded in 2004 by writer/director Kara Feely and composer/musician Travis Just. The Brooklyn-based group operates within the intersecting practices of performance\, music\, and theater. They are concerned with simultaneity\, complexity\, and radicality\, combining dense layers of text\, notation\, objects\, and processes. They work to give audiences unconventional viewing experiences through a merging of theatricality and pedestrian activity. The company’s works upset habitual notions of time\, pace\, progression\, and virtuosity\, and value accumulation above cohesion.\n\nObject Collection performances can take the shape of large-scale performance projects\, experimental operas\, and duo performances. Object Collection has premiered six original operas. Their work has toured to Norway\, Denmark\, the UK\, Japan\, Canada\, Italy\, and the US. Object Collection’s pieces have appeared in New York at La MaMa\, Performance Space 122\, Ontological Theater at St. Mark’s Church\, National Sawdust\, Chocolate Factory Theater\, Abrons Arts Center\, Invisible Dog Art Center\, Roulette\, and Issue Project Room\, among others. Albums have been released on Slip Imprint\, Infrequent Seams\, and khalija. Object Collection has received extended profiles in Frieze magazine\, Pitchfork\, The Guardian\, The Wire\, BOMB\, and on BBC Radio. www.objectcollection.us\n									\n							\n				\n				\n\n	Load more\n\n				\n			\n			 \nA performance at the end of time\, the last house concert of them all. Or the first\, before everything. Casual\, using whatever is at hand. After everything has been done\, we do this anyway\, just because. Because this is what we do in our house\, with our invited guests. Getting amongst it. \nObject Collection’s history is intimately connected with house concerts. Several of our first performances were in friends’ living rooms for a small group of attendees. The barest of bare bones\, essential DIY. We summon the ghosts of Jack Smith\, Sam Rivers\, and all those who blended their art with their homes. The most basic form of a community: you there watching me here\, us together. \nwritten and directed by Kara Feely\ncomposed by Travis Just \nperformed by Catrin Lloyd-Bollard\, Kara Feely\, Travis Just\, Daniel Allen Nelson\, Nicolás Noreña\, James Oldham\, Chloë Roe\, and Timothy Scott\nScenic Design by Peiyi Wong\nLighting by Liz Schweitzer\nSound by Robin Margolis\nProduced by Shannon Sindelar\nProduction Manager Daniel Allen Nelson\nAssistant Director Kate Purdum\nDesign Assistants Celia Krefter and Talia Hankin \nHOUSECONCERT also touring to:\nCafe OTO\, London (UK)\nStanford University (USA)\nIndexical\, Santa Cruz (USA) \nObject Collection was founded in 2004 by writer/director Kara Feely and composer/musician Travis Just. The Brooklyn-based group operates within the intersecting practices of performance\, music\, and theater. They are concerned with simultaneity\, complexity\, and radicality\, combining dense layers of text\, notation\, objects\, and processes. They work to give audiences unconventional viewing experiences through a merging of theatricality and pedestrian activity. The company’s works upset habitual notions of time\, pace\, progression\, and virtuosity\, and value accumulation above cohesion. \nObject Collection performances can take the shape of large-scale performance projects\, experimental operas\, and duo performances. Object Collection has premiered six original operas. Their work has toured to Norway\, Denmark\, the UK\, Japan\, Canada\, Italy\, and the US. Object Collection’s pieces have appeared in New York at La MaMa\, Performance Space 122\, Ontological Theater at St. Mark’s Church\, National Sawdust\, Chocolate Factory Theater\, Abrons Arts Center\, Invisible Dog Art Center\, Roulette\, and Issue Project Room\, among others. Albums have been released on Slip Imprint\, Infrequent Seams\, and khalija. Object Collection has received extended profiles in Frieze magazine\, Pitchfork\, The Guardian\, The Wire\, BOMB\, and on BBC Radio. www.objectcollection.us \n*** \n \nThe Brick is a 501(c)(3) non-profit. We rely on the generosity of our patrons. Consider giving a tax-deductible donation today to help make The Brick a sustainable hub of experimental performance for many years to come. Donate Here or Join Our Patreon \nA Note on Accessibility: The Brick has trigger warnings posted in the space for each show for you to check if you so choose. If you would rather ask questions in advance of being in the space or would like to enter in advance of house opening due to our seating not being assigned\, please reach out to theresa@bricktheater.com. \nIn consideration for the health and safety or our staff members\, artists\, and audiences\, The Brick remains committed to maintaining vaccination requirements and mask mandates for our in-person presentations for the foreseeable future. We ask that all audience members remain masked. All staff and performers will be vaccinated; performers may not be masked. Audience can provide proof of vaccination with a government issued I.D. along with a physical copy or picture of your COVID-19 Vaccination Record Card\, the NYC COVID Safe App or the New York State Excelsior Pass. Please be patient with staff.
URL:https://www.bricktheater.com/event/houseconcert/2023-05-05/
LOCATION:Brick Theater\, 579 Metropolitan Ave\, Brooklyn\, 11211\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bricktheater.com/wp-content/uploads/2023/01/OC-houseconcert-final-scaled.jpg
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