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CREATED:20230208T054914Z
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UID:10161-1681588800-1681596000@www.bricktheater.com
SUMMARY:?!: New Works 2023 - Night 9
DESCRIPTION:The Brick presents\n?!: New Works 2023 – Night 9\nfeaturing  Andres Osorio\, Emmanuelle Zagoria\, Abs Wilson\, Charlene Jean\nApril 15\, 2023\n8pm \nHosted by Devon Wade Granmo \nThe spiritual successor to The Exponential Festival\, ?!:New Works features a veritable slew of experiment(al)(ing) artists from a variety of disciplines presenting brand new work. Working it out. With each other. With you. \nLINEUP \n \nKilling the Baby Seals\nby Andres Osorio \nAt a high school drill competition\, some cadets find individual purpose and promise for their futures\, while others find it forced upon them a use it as a mask to hide behind. A theatrical experiment into the physicality\, uniformity\, and pageantry of drill and how it is used by those kids who “look like they’re going to war next period.” \nWritten by Andres Osorio\nDirected by Rachel Horwitz \nFollow them: @andresoncooper \n\nWhat’s in the handbag? An experimental feminist disco party\nby Emanuelle Zagoria \nWhat’s in the handbag? Nobody knows. Whatever it is\, it is deep\, festive\, collective\, devastating\, ferocious…This show is an attempt to uncover\, celebrate\, liberate the ancient depths of what might be inside. There will be songs\, loops\, synthesis\, scientific text samples and other incongruous elements which may deter\, defer or entertain on the journey to answer this fundamental question. Hooray. \nWritten\, composed\, performed by Emmanuelle Zagoria\nSamples from: Judith Butler: Butler\, J (2011\, June 6). Judith Butler: Your Behavior Creates Your Gender | Big Think (video). YouTube.;\nAlain de Botton: de Botton\, A. (2006). On Love. Grove Press/Atlantic Monthly Press.;\nMarilyn Waring: Waring\, M; TED. (2020\, February 17). The unpaid work that GDP ignores — and why it really counts | Marilyn Waring. YouTube. ;\nHoward Becker: Becker\, H (2012).“Creativity is Not a Scarce Commodity” American Behavioral Scientist\, 61\, no. 12 (2017): 1579-88. Retreived from https://www.howardsbecker.com/articles/creativity.html \nFollow them: @emmanuellezagoria \n\nAll We Know of Love & Fire\nby abs wilson \nIn this 20 minute indie-pop musical\, historic poets Sara Teasdale\, Emily Dickinson\, and Sappho come together to answer (with the help of the audience) a single question: how do you hold and carry loneliness— without giving in? Presenting their own personal solutions\, the three women debate\, weave poetry\, and say a silly joke or two as they grow together and search for the answer. Because in the end\, they’re going to need each other if they’re going to face the great well of loneliness— without losing their flame. \nbook and lyrics by abs wilson\nmusic by Wren Mied\ndirected by Thalia Ranjibar\nwith Caroline Game playing Sara Teasdale\nVeronica Mansour playing Sappho\nand abs wilson playing Emily Dickinson \ncw: mentions of depression/suicide \n\nSHIT IN THE BLOOD: A BIOMYTHOGRAPHY OF RECIPES\nby Charlene Jean \nSITB is a ‘digestion play’ concerned about what is lost due to assimilations’ demands forced unto and seducing Black American and Black Immigrant communities. It considers how the generational voids can be compared to digestive tract diseases diverticulitis / diverticulosis. We consider SHIT IN THE BLOOD to be a collaborative project\, a scripted show with explicitly somatic opportunities for the performers and the audiences – from stomach affirmations and vagus nerve release. This will be scripted drama\, movement\, and lecture on the theories our collective has ideated upon. \nwritten by Charlene Jean in collaboration with Bryanna Bradley and features Bryanna Bradley‘s Gastrointestinal Epigenetic Somatic Theory (GEST)\nCo-devised by Charlene Jean\, Bryanna Bradley\, and Courtney Bryan Devon\nSITB features soundscapes by Pharaoh Rapture (FKA Myles E. Johnson) and producer Sergio Rivera\nPhoto credit: Jannai Stroude \nFollow them: @psalmsofchar\, @bryannabradlee @Coourtinator \ncw: strobes\, nudity \nLineups are subject to change. \nArt by Mark Toneff \n*** \n \nThe Brick is a 501(c)(3) non-profit. We rely on the generosity of our patrons. Consider giving a tax-deductible donation today to help make The Brick a sustainable hub of experimental performance for many years to come. Donate Here or Join Our Patreon \nA Note on Accessibility: The Brick has trigger warnings posted in the space for each show for you to check if you so choose. If you would rather ask questions in advance of being in the space or would like to enter in advance of house opening due to our seating not being assigned\, please reach out to theresa@bricktheater.com. \nIn consideration for the health and safety or our staff members\, artists\, and audiences\, The Brick remains committed to maintaining vaccination requirements and mask mandates for our in-person presentations for the foreseeable future. We ask that all audience members remain masked. All staff and performers will be vaccinated; performers may not be masked. Audience can provide proof of vaccination with a government issued I.D. along with a physical copy or picture of your COVID-19 Vaccination Record Card\, the NYC COVID Safe App or the New York State Excelsior Pass. Please be patient with staff.
URL:https://www.bricktheater.com/event/new-works-night-9/
LOCATION:Brick Theater\, 579 Metropolitan Ave\, Brooklyn\, 11211\, United States
ATTACH;FMTTYPE=image/png:https://www.bricktheater.com/wp-content/uploads/2023/02/27.png
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