BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Brick - ECPv5.12.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:The Brick
X-ORIGINAL-URL:https://www.bricktheater.com
X-WR-CALDESC:Events for The Brick
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240131T200000
DTEND;TZID=America/New_York:20240131T213000
DTSTAMP:20260614T220732
CREATED:20231025T043942Z
LAST-MODIFIED:20240105T172324Z
UID:15308-1706731200-1706736600@www.bricktheater.com
SUMMARY:The Exponential Festival Presents: ten dreams of metamorphoses or me talk dirty someday
DESCRIPTION:The Exponential Festival and The Brick present\nten dreams of metamorphoses or me talk dirty someday\nby Yuki Kawahisa\nJanuary 31-February 3\, 2024 \nYou are invited to Yuki’s world! Follow her on a wild solo ride across dreams\, memories and *stories*. As you find that precious connection\, deep intimacy we all seek from theatre\, you might suddenly wonder “Can I actually trust this silly narrator?”\, well\, can you? \nWritten\, directed\, designed and performed by Yuki Kawahisa\nwith Caleb Hammond (Co-director) and Tina Rosner (Dramaturg)\nBoard Operator and Technical Support: Rishita Chowdary \nInspired by Soseki Natsume’s Ten Nights of Dreams\, Yuki weaves her story with invisible threads of dreams and non-dreams\, memories and non-memories\, to invite the audience into her unreliable but truth-seeking memoir. This vulnerable\, sensual and silly solo is part storytelling\, part dance\, part poetry – Yuki’s offering\, an attempt at hope and connection. Together can we find that space again that we always longed for in theater: intimacy\, honesty\, and reaction? \ncw: complete darkness \nFind them: yukikawahisa.com  @yuki_kawahisa \nYuki Kawahisa\, a native of Japan\, is an actor\, theatre creator\, performing artist\, working/collaborating/devising across disciplines with various artists\, companies and her own. Hailed by The New York Times as “simple and brutal as a knife to the throat.” (Americana Kamikaze by Temporary Distortion)\, “dynamite” (FEAST by Andrew Ondrejcak)\, Kawahisa has appeared in some of the most exciting experimental theatre pieces in New York\, been seen at downtown and off-Broadway venues\, internationally as well\, in Canada\, Germany\, France\, Denmark\, Italy\, Australia\, Indonesia and Japan. She has also worked with renowned theatre directors Robert Wilson and Richard Foreman. Kawahisa debuted and toured with her first written solo\, The Kimono Loosened\, which received very positive reviews throughout Canada and in New York. This is her second solo and first story-telling piece. Kawahisa loves both traditional and non-traditional theatre and is a great admirer of Noh (trained in Kita style) as well as post-dramatic and experimental theatre. Throughout the pandemic\, Kawahisa continued her creative practice with her project “HenSin-MetaMorPhosis” and made videos everyday for 560 days. Her secret goal is to be a great clown someday. \nCaleb Hammond\, an actor and director in theater\, television\, and film\, as well as a studio and installation artist. His work has been shown worldwide\, including PS122 and The Kitchen in NYC\, National Theater of Hungary\, Maison des Arts\, Paris\, Nishida Museum of Art\, Japan\, and The Chrysler Museum\, Virginia. www.Calebhammond.com \nTina Rosner is a Tokyo-based Hungarian researcher of contemporary performing arts. She also works as a director\, actor\, dramaturg. She gave workshops in the United States\, Japan\, and Europe\, and took part in numerous performing arts programs. Rosner met Kawahisa while working with Robert Wilson at the Watermill Center. www.tinarosner.com \n \nTHE EXPONENTIAL FESTIVAL\nJANUARY’S BROOKLYN-BASED THEATRE FESTIVAL\n~ A pleasure\, a mess\, a thrill\, and a dream. ~​ \nExponential is a month-long January festival dedicated to New York City-based emerging artists working in experimental performance. The participants in this multi-artist\, multi-venue festival are committed to ecstatic creativity in the face of commercialism. Exponential is driven by inclusiveness and a diversity of artists\, forms\, and ideas coupled with utopian resource-sharing\, mentoring and the championing of risky\, rigorous work in eclectic fields. theexponentialfestival.org \n*** \n \nThe Brick is a 501(c)(3) non-profit. We rely on the generosity of our patrons. Consider giving a tax-deductible donation today to help make The Brick a sustainable hub of experimental performance for many years to come. Donate Here or Join Our Patreon \nA Note on Accessibility: The Brick has trigger warnings posted in the space for each show for you to check if you so choose. If you would rather ask questions in advance of being in the space or would like to enter in advance of house opening due to our seating not being assigned\, please reach out to theresa@bricktheater.com. \nMask Policy: The Brick strongly encourages but does not require masks for audience members. We are in ongoing conversation with our artists and audiences as we continue to adapt our covid policies and it is subject to change at any time. Thank you.
URL:https://www.bricktheater.com/event/the-exponential-festival-presents-ten-dreams-of-metamorphoses-or-me-talk-dirty-someday/2024-01-31/
LOCATION:Brick Theater\, 579 Metropolitan Ave\, Brooklyn\, 11211\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bricktheater.com/wp-content/uploads/2023/10/ten-dreams-of-metamorphoses-or-me-talk-dirty-someday-Yuki-Kawahisa-2-scaled-e1698208773468.jpeg
END:VEVENT
END:VCALENDAR