A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

A performance at the end of time, the last house concert of them all. Or the first, before everything. Casual, using whatever is at hand. After everything has been done, we do this anyway, just because. Because this is what we do in our house, with our invited guests. Getting amongst it.

The Brick presents King of Nothing by Robert Malbrough & Rachel Weekley May 31-June 3, 2023 $20-35 Welcome to the end of the world. Are you sitting comfortably? Are you gripping your flashlight tightly? Did you take your pill today? Quiet now. A transmission’s coming through. Rachel Weekley: The Fool/Writer Tyler Riley: The Transmission Bobby Marcus: Projection Designer Robert Malbrough: Director/Designer Zeynep Akca: Producer On a garbage heap at the end of the world one fool looks for meaning and love…

The Brick presents King of Nothing by Robert Malbrough & Rachel Weekley May 31-June 3, 2023 $20-35 Welcome to the end of the world. Are you sitting comfortably? Are you gripping your flashlight tightly? Did you take your pill today? Quiet now. A transmission’s coming through. Rachel Weekley: The Fool/Writer Tyler Riley: The Transmission Bobby Marcus: Projection Designer Robert Malbrough: Director/Designer Zeynep Akca: Producer On a garbage heap at the end of the world one fool looks for meaning and love…

The Brick presents King of Nothing by Robert Malbrough & Rachel Weekley May 31-June 3, 2023 $20-35 Welcome to the end of the world. Are you sitting comfortably? Are you gripping your flashlight tightly? Did you take your pill today? Quiet now. A transmission’s coming through. Rachel Weekley: The Fool/Writer Tyler Riley: The Transmission Bobby Marcus: Projection Designer Robert Malbrough: Director/Designer Zeynep Akca: Producer On a garbage heap at the end of the world one fool looks for meaning and love…

The Brick presents King of Nothing by Robert Malbrough & Rachel Weekley May 31-June 3, 2023 $20-35 Welcome to the end of the world. Are you sitting comfortably? Are you gripping your flashlight tightly? Did you take your pill today? Quiet now. A transmission’s coming through. Rachel Weekley: The Fool/Writer Tyler Riley: The Transmission Bobby Marcus: Projection Designer Robert Malbrough: Director/Designer Zeynep Akca: Producer On a garbage heap at the end of the world one fool looks for meaning and love…

The Brick presents King of Nothing by Robert Malbrough & Rachel Weekley May 31-June 3, 2023 $20-35 Welcome to the end of the world. Are you sitting comfortably? Are you gripping your flashlight tightly? Did you take your pill today? Quiet now. A transmission’s coming through. Rachel Weekley: The Fool/Writer Tyler Riley: The Transmission Bobby Marcus: Projection Designer Robert Malbrough: Director/Designer Zeynep Akca: Producer On a garbage heap at the end of the world one fool looks for meaning and love…

This week at the Aux Reading League we will be looking at the play Voices in the Dark by John Pielmeier, a good old fashion ghost story. ARL is open to all theater makers and is a great way to find a fun theater community of cool theater people reading cool theater things!

Turning is a documentary musical art film made by video artist Charles Atlas in collaboration with British-American artist Anohni and her band Antony and The Johnsons.

Split Brick Bill: HOVERING and Exploration Of The Everchanging - Iteration 6
by Leanna Grennan and Lindsey Weaving + Clara Wiest and Madison Chu

Split Brick Bill: HOVERING and Exploration Of The Everchanging - Iteration 6
by Leanna Grennan and Lindsey Weaving + Clara Wiest and Madison Chu

Split Brick Bill: HOVERING and Exploration Of The Everchanging - Iteration 6
by Leanna Grennan and Lindsey Weaving + Clara Wiest and Madison Chu

Weasel Fest is a two-night extravaganza featuring brand new short works written in response to a shared prompt by Brooklyn College’s 2023 MFA Playwriting cohort. Prompted by our recent alumni playwrights, our festival of five short plays will explore the theme of legacy.

Weasel Fest is a two-night extravaganza featuring brand new short works written in response to a shared prompt by Brooklyn College’s 2023 MFA Playwriting cohort. Prompted by our recent alumni playwrights, our festival of five short plays will explore the theme of legacy.

An operatic realization of Compositions No. 279-283 for comedian and improvising musicians by a giant of American music, composer and saxophonist Anthony Braxton.

An operatic realization of Compositions No. 279-283 for comedian and improvising musicians by a giant of American music, composer and saxophonist Anthony Braxton.

An operatic realization of Compositions No. 279-283 for comedian and improvising musicians by a giant of American music, composer and saxophonist Anthony Braxton.

?!: New Works - Night 16 featuring Ellen Zahniser, Mark Wilson, Kaela Mei-Shing Garvin, Daniel Holzman

?!: New Works 2023 - Night 17 featuring Mark Wilson, Matthew Antoci & Meaghan Robichaud, TJ Lewis

?!: New Works 2023 - Night 18 featuring Daniel Holzman, Amanda Xeller, Adin Lenahan, Nick Alselmo

?!: New Works 2023 - Night 19 featuring Nick Alselmo, MA’AM, Emma Horwitz and Bailey Williams, Matthew Antoci & Meaghan Robichaud

?!: New Works 2023 - Night 20 featuring Miranda Brown and Noa Weiss, TJ Lewis, Adin Lenahan, Lizz Bogaard & Gabby Gillespie, Amanda Lyn

?!: New Works 2023 - Night 21 featuring Emma Horwitz and Bailey Williams, Amanda Xeller, Miranda Brown and Noa Rui-Piin Weiss, Lizz Bogaard & Gabby Gillespie

“…queer themes and imagery have been reoccurring, if not instrumental, in Butoh. The concepts of otherness and ambiguity, particularly with respect to gender identity and sexuality, permeate its narratives. Drag, androgyny and fluidity are staple elements.” - The New York Times

“…queer themes and imagery have been reoccurring, if not instrumental, in Butoh. The concepts of otherness and ambiguity, particularly with respect to gender identity and sexuality, permeate its narratives. Drag, androgyny and fluidity are staple elements.” - The New York Times

“…queer themes and imagery have been reoccurring, if not instrumental, in Butoh. The concepts of otherness and ambiguity, particularly with respect to gender identity and sexuality, permeate its narratives. Drag, androgyny and fluidity are staple elements.” - The New York Times

There is a wrong way and a right way and the important thing is to do it the right way. Doing it the wrong way means. Means. You don’t want to know.

There is a wrong way and a right way and the important thing is to do it the right way. Doing it the wrong way means. Means. You don’t want to know.

There is a wrong way and a right way and the important thing is to do it the right way. Doing it the wrong way means. Means. You don’t want to know.

There is a wrong way and a right way and the important thing is to do it the right way. Doing it the wrong way means. Means. You don’t want to know.

There is a wrong way and a right way and the important thing is to do it the right way. Doing it the wrong way means. Means. You don’t want to know.

There is a wrong way and a right way and the important thing is to do it the right way. Doing it the wrong way means. Means. You don’t want to know.

There is a wrong way and a right way and the important thing is to do it the right way. Doing it the wrong way means. Means. You don’t want to know.

Drawing has been around since the literal beginning of mankind. Fucking hieroglyphics, cave paintings… stars? Need I say more? Come join me every week and LETS DRAW SOMETHING TOGETHER! 

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

In The Dastardly Thornes v. The Town of Goldhaven, a new musical by Ben Holbrook and Nate Weida, an audience of local cowboys pile into an old western theatre filled with bizarre and unsavory characters, where the local theater troupe facilitates the trial of the century.

?!: New Works 2023 - Night 22 featuring Colin Heininger, Jude Gallegos, Leonie Bell

?!: New Works 2023 - Night 23 featuring Colin Heininger, an_outskirt, Lids/Ellen/+Sam, Alexis Cofield and Danielle Covington

?!: New Works 2023 - Night 24 featuring Jerrod Jordahl, Alexis Cofield and Danielle Covington, Maria Milagros, Vanessa Meyer

?!: New Works 2023 - Night 25 featuring Patrick Vermillion, Kelsey Sullivan, Lianne Elsouki, Alyssa Haddad-Chin

?!: New Works 2023 - Night 26 featuring Beth Golison, Rachel Weekley, Alyssa Haddad-Chin, Caroline Burkhart, Charles Green

?!: New Works 2023 - Night 27 featuring an_outskirt, Jerrod Jordahl, Vanessa Meyer

?!: New Works 2023 - Night 28 featuring Jude Gallegos, Alexis Cofield and Danielle Covington, Caroline Burkhart, Vanessa Meyer

No Wrong Way to Begin A Play is a prompt-based, generative writing workshop about getting over the hurdle of the first blank page, writing through blocks and creative multitasking.

?!: New Works 2023 - Night 29 featuring Maria Milagros, Caroline Burkhart, Genevieve Simon, Alyssa Haddad-Chin

?!: New Works 2023 - Night 30 featuring Genevieve Simon, Kelsey Sullivan, Scout Davis, Lianne Elsouki

?!: New Works 2023 - Night 31  featuring Scout Davis, Lianne Eslouki, Patrick Vermillion, and Rachel Weekley

Group classes offer an opportunity to explore within yourself while also being conscious of and engaged with individuals and space around you.

No Wrong Way to Begin A Play is a prompt-based, generative writing workshop about getting over the hurdle of the first blank page, writing through blocks and creative multitasking.

No Wrong Way to Begin A Play is a prompt-based, generative writing workshop about getting over the hurdle of the first blank page, writing through blocks and creative multitasking.

Peek Pique Peak presents glimpses into the artistry and minds of truly unique artists creating in mixed mediums, ranging from dance to music to looping to theater to comedy to vocal experimentation to philosophical examination. It features people at the top of one or more forms and it is not to be missed.

Peek Pique Peak presents glimpses into the artistry and minds of truly unique artists creating in mixed mediums, ranging from dance to music to looping to theater to comedy to vocal experimentation to philosophical examination. It features people at the top of one or more forms and it is not to be missed.

Peek Pique Peak presents glimpses into the artistry and minds of truly unique artists creating in mixed mediums, ranging from dance to music to looping to theater to comedy to vocal experimentation to philosophical examination. It features people at the top of one or more forms and it is not to be missed.

Peek Pique Peak presents glimpses into the artistry and minds of truly unique artists creating in mixed mediums, ranging from dance to music to looping to theater to comedy to vocal experimentation to philosophical examination. It features people at the top of one or more forms and it is not to be missed.

Only the desperate turn to stand-up, and Bent is no exception. Watch this former downtown experimental New York theatre scene (RIP) mainstay— that Time Out New York once described as “immensely likeable”—step into and “stand up” inside a new medium. Bent, who now lives an anonymous life in an American province, knows first-hand that comedy is tragedy plus time.

Looming Dogs is a comedic solo piece that ponders the slippery nature of grief.

Only the desperate turn to stand-up, and Bent is no exception. Watch this former downtown experimental New York theatre scene (RIP) mainstay— that Time Out New York once described as “immensely likeable”—step into and “stand up” inside a new medium. Bent, who now lives an anonymous life in an American province, knows first-hand that comedy is tragedy plus time.

Looming Dogs is a comedic solo piece that ponders the slippery nature of grief.

Only the desperate turn to stand-up, and Bent is no exception. Watch this former downtown experimental New York theatre scene (RIP) mainstay— that Time Out New York once described as “immensely likeable”—step into and “stand up” inside a new medium. Bent, who now lives an anonymous life in an American province, knows first-hand that comedy is tragedy plus time.

Looming Dogs is a comedic solo piece that ponders the slippery nature of grief.

Group classes offer an opportunity to explore within yourself while also being conscious of and engaged with individuals and space around you.

Looming Dogs is a comedic solo piece that ponders the slippery nature of grief.

Only the desperate turn to stand-up, and Bent is no exception. Watch this former downtown experimental New York theatre scene (RIP) mainstay— that Time Out New York once described as “immensely likeable”—step into and “stand up” inside a new medium. Bent, who now lives an anonymous life in an American province, knows first-hand that comedy is tragedy plus time.

Seattle cellist and composer Lori Goldston presents an original live score with films by Harry Smith in honor of his birth centenary year.

It's a play. It's dark. It's ugly. It's quote DIY end quote. It's a box. It's what happens in the box. It's what happens outside the box. It's having a heart. It's wanting things. It's the traditional outlets of male excess have receded substantially. It's a play about music. With music. It's in the Greek style, that is, chorus-agon-chorus-agon-chorus-bridge-catharsis. It's a play about music with music. It's missing you.

It's a play. It's dark. It's ugly. It's quote DIY end quote. It's a box. It's what happens in the box. It's what happens outside the box. It's having a heart. It's wanting things. It's the traditional outlets of male excess have receded substantially. It's a play about music. With music. It's in the Greek style, that is, chorus-agon-chorus-agon-chorus-bridge-catharsis. It's a play about music with music. It's missing you.

It's a play. It's dark. It's ugly. It's quote DIY end quote. It's a box. It's what happens in the box. It's what happens outside the box. It's having a heart. It's wanting things. It's the traditional outlets of male excess have receded substantially. It's a play about music. With music. It's in the Greek style, that is, chorus-agon-chorus-agon-chorus-bridge-catharsis. It's a play about music with music. It's missing you.

It's a play. It's dark. It's ugly. It's quote DIY end quote. It's a box. It's what happens in the box. It's what happens outside the box. It's having a heart. It's wanting things. It's the traditional outlets of male excess have receded substantially. It's a play about music. With music. It's in the Greek style, that is, chorus-agon-chorus-agon-chorus-bridge-catharsis. It's a play about music with music. It's missing you.

No Wrong Way to Begin A Play is a prompt-based, generative writing workshop about getting over the hurdle of the first blank page, writing through blocks and creative multitasking.

Kinderkrankenhaus explores neurodiversity, the pathologizing of difference, and the complexity of labels in a world where the unspeaking are seen as unthinking.