By Laura Collins-Hughs

The second short is at least as friendly as the first but far more aching. Told in flashback, it achieves something I had not seen in all the deluge of video that has come in these past 10 months. Largely through black-and-white rehearsal stills of Barbagallo, Davis and Kaminsky, shot at The Brick in Brooklyn, it captures what theater feels like — the everyday incantation of it, and how unreachably far away that seems now.

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